Wally Hedrick (Artist)
Hedrick moved to San Francisco from Pasadena in the 50s. He entered the California School of Fine Arts, now the San Francisco Art Institute, and became part of the mix of young artists there. They hung out in North Beach and exhibited work in the bars and coffee houses. Frustrated by the lack of opportunity to show their work in a space dedicated to art, he and five others started the 6 Gallery. Wally and artist, Jay DeFeo married and eventually moved to the building on Fillmore Street that was known over the years as the “artist/poet building.” It was a central part of the San Francisco underground scene. Jay & Wally’s rented two flats and held the longest tenure in that building which became the hub of what was happening in the art world at that time. Wally Hedrick, who died in December 2003, maintained a maverick spirit throughout his lifetime; living and doing art in his own unique style at the “The Creamery” in Bodega, north of San Francisco.
Deborah Remington (Artist)
Deborah, like Wally, moved to San Francisco from Pasadena, enrolling at the California School of Fine Arts in the 50s. She was one of the original members of the 6 Gallery. Later on she became part of the stable of artists in the respected Dilexi Gallery in San Francisco. The Dilexi gave its artists an opportunity to show in a professional gallery, which was an entirely new experience for most. Before the Dilexi opened, generally the only outlets had been the North Beach bars or cooperative galleries. Remington moved to New York City in the mid 60s where she achieved recognition as a talented, accomplished painter; making the cover of Art News and Arts Magazine in the 70s. Her work is exhibited in several museums and resides in prestigious collections. She has also taught seminars and classes at various institutions throughout the country. Ignoring the whims of the contemporary art world, she continued to paint bold, abstract paintings until her death in 2010.
Roy De Forest (Artist)
Roy took classes at the California School of Fine Arts during the early 50s when that school had such incredibly talented instructors like David Park, Mark Rothko, and Clyfford Still, to name a few. He exhibited work in the early galleries—King Ubu, 6 Gallery and East and West. Later, he started showing his constructions and paintings at the Dilexi Gallery, which launched his career. He was picked up by a New York Gallery (Allan Frumkin) and became known in the professional art world, making the cover of Art News in the 70s. Over the years he taught art at various colleges; eventually retiring from the University of California at Davis, where he was a well-liked and influential instructor for many years. Roy De Forest passed away in May 2007 leaving a legacy of colorful, outstanding and very unique work.
Aya (Poet/Writer/Artist)
Aya was part of the poetry scene in both Venice and San Francisco’s North Beach, living in both areas during the Beat Era. She and David Meltzer first met in a poetry class in Los Angeles during the 50s. Then, later they read together at the 6 Gallery in San Francisco after she moved to San Francisco. Her husband then was Elias Romero. He performed the first “Light Shows” at bars and coffee houses in North Beach while Aya read poetry. Throughout the years, she’s been involved in many endeavors. Continuing to write poetry, she also collaborated on short films and a documentary. She is an astrologer and Zen Buddhist. Artist George Herms’ Love Press published her book, “Zen Love Poems.” Her own distinctive drawings have been used to illustrate much of her published poetry. Aya has a non-fiction book, “Way of the Warrior Priestess” available on Amazon.com. Her most recent book of poetry is “Marrying Myself.”

Aya (Tarlow) and David Meltzer
David Meltzer (Poet/Writer)
David was very young (still a teenager) when he met many of the artists around Syndell Studio and the early Ferus in the 50s. Abstract Expressionism as well as jazz has had a profound effect on his writing. After he moved to San Francisco in 1957, he started reading his poetry at The Cellar in North Beach and other hangouts. He was an active participant in the San Francisco Renaissance and is still actively involved in the Bay Area poetry scene. Meltzer teaches poetry at the New College of California in San Francisco. He also has a continuing interest in music. During the late 60s, he and his wife had a rock group, “Serpent Power” and produced a couple of albums. Later, he was a jazz critic for the Bay Guardian and over the years has written numerous articles and two books on jazz. One of his volumes of sequential poems is in the voice of Lester Young, titled “No Eyes.” Over the years, he has continued to publish books, essays, anthologies as well as his poetry. City Lights published “San Francisco Beat” - “Talking with the Poets” edited by David Meltzer. “The Beat Thing”, his series of poems on the Beat Era experience was out a couple of years ago. His most recent book of poetry is “David’s Copy”, published by Penguin and available in bookstores throughout the country.
Dimitri Grachis (Artist )
Dimitri Grachis attended the California School of Fine Arts (now the San Francisco Art Institue) during its golden years of 1954 through 1957. He exhibited at the 6 Gallery along with fellow students and painters, Wally Hedrick, Deborah Remington, Roy De Forest and others. He also showed his work at the East and West Gallery across the street. After the 6 Gallery closed, he opened his own space nearby--the Spatsa Gallery from 1958-1961. Grachis exhibited many of his colleagues from the 6 Gallery including Joan Brown, Bruce Conner, Wally Hedrick, Manual Neri, Michael McClure and Deborah Remington. Dimitri was one of the first Northern California minimalist painters. Exploring geometric abstraction is still his interest today.